This review may contain spoilers
I am not going to lie, I felt extremely frustrated while watching this drama. It had amazing potential, but close to nothing worked out. The beauty - amazing cinematography and styling of our main character, and the beast - the writing.There honestly is not much to say about the characters, since the only one that had true depth was Man Wol. She was the centre of the drama and IU did an amazing job representing her development and gradual change. Chang Sung could have worked way better if it wasn't for Chung Myung. All the rest of the characters we simply did not spend enough time with, to truly care about. I must say, Sanchez was my favorite and he was the breath of fresh air.
Kim Seon Bi/Choi Seo Hee/Ji Hyun Joong aka when writers do not care.
Out of all their stories, only Seo Hee's had some depth to it. Kim Seon Bin's story was extremely random, there were close to no hints about his previous life so I did not even care to speculate what happened to him. Hyun Joong's past life story had the least sense. How did his sister not recognize that the guy taking care of her was not her brother. How did his family not ask any questions, why did they recognize her and not him? You could say it was a war so they did not see him for a long time, but the same would apply to the sister. Hong sisters did not care enough about those characters to spend time to truly explain and develop their stories. They had the material for a good 8 episodes of Man Wol's side and had to fill the rest with random storylines. I could not feel emotional about them all leaving at the end, because all I could think about was: None of it makes any sense.
I also believe it would be better to start sending away the characters around episode 10-12, and not just have them all gone in the last 2 episodes. We could slowly see how Man Wol is realizing all the people she loves and cares about are gone and moving on to the afterlife. How the ones that stay behind struggle with the loss. We would see her being more concerned about how will Chan Sung deal in the future when she is gone. Them gradually leaving would have more impact on both the characters and the storyline.
Chan Sung/Chung Myung aka the failed romance
While I enjoyed Chan Sung at the beginning, the moment we got more scenes with Chung Myung and the past story developed into something interesting, I could not focus on the present. Chan Sung was simply a boring character that was there only for Man Wol's story to develop and he had nothing going on for himself. When we met another male character that had a past romantic relationship with Man Wol, but also was its own character, it was easy to forget our male lead. At the end of the day I wished for more flashbacks and less present plot. And I would rather have them as friends than as romantic partners.
Kim Yoo Na aka no one truly cares about anything
While I enjoyed Yoo Na, I do believe they should have made her a more tragic character. Yet again, there was no depth to the story. Show me how much she struggles to fit in that new house, how she misses her old friends and family and how she is tired of pretending to be someone else.
All the hotel cases aka when you try too hard to please the viewers
I did not truly like any of the random hotel cases, but I hated some more than others. The most random one with the humans having sex in the hotel room to have some superior child in the future. I was truly confused why this plotline was in the drama.
There were too many cases, so at the end, none of them was developed or complex. They tried to fit any genre (horror, crime, romance, melo, etc.) into the drama, just to make sure all viewers can find something they may like.
Disney ending aka when you are afraid to commit to the tragedy
None of the characters involved in the drama had a truly tragic ending. Which was extremely unrealistic. It could be easily fixed. Make Yoona too late to say goodbye to Hyun Joong. After Seo Hee goes to the bridge, cut to the mother registering the baby with the father's surname because of the grandparents. Make the book about Seon Bi flop. I would even like for Chung Myung to vanish because he used all his energy looking after Man Wol. The Song sisters wanted to show us how sad, tragic, and emotional the feeling of loss is, but they did not want to show the truly ugly side of it. Because of that, the ending felt bland.
Overall, during the whole watch, there was literally (and I truly mean it) only one time when I thought "wow, this is a good writing, I finally feel the playoff" and it was with how they used the Coffee Writer Dude. They spent just enough time for us to be curious about him and wonder what will happen to him, when he will go to the afterlife.
At the end, Hong Sisters had an amazing idea, about an amazing character, and no idea what to do with the rest. Trying to fit too many stories of too many characters made this drama a... mess.
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Marshmallow-Chocoholic
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The Hong Sisters Have Finally Returned To Wonderland..
For most watchers first looking over the drama, Yeo Jin Goo ( Hwayi; A Monster Boy and Moon Embracing The Sun) would seem to be one to steal the show from his legendary roles in numerous dramas and movies , yet, instead, it is IU ( My Mister and The Producers) ‘s role as the angel-faced yet foul-mouthed owner of the hotel, Jang Man- Wol who instead quickly steals the show from Jin Goo in her glamorous frocks.
From inspired attires straight out of Daphne Du Maurier’s gothic modern romance tale , Rebecca ( 1938), to Katherine Hepburn’s little black dress in a favourite film of the Hong Sisters, Breakfast At Tiffany’s ( 1961), IU
truly embodies the mature and complex core of a cynical female lead who is shaped by her own experiences and choices rather than merely love itself.
Yet whilst the casting of the show is fairly diverse with fellow Kpop costar P.O being cast as the giddy hotel receptionist and Bae Hae- Sun as the strict housekeeper of the hotel, some of the roles within the show (especially the storywriting ) felt slightly lacklustre in comparison. ( Particularly P.O and Kang Mi- Na’s romance as their respected characters, which did have some bittersweet moments in particular to P.O’s character, but Mi Na’s character Soo- Jung had little relatability despite her tragic circumstances).
Admittedly this isn’t entirely the fault of the actors as one noticeable flaw which arose in the drama was how the Hong Sisters had added little complexity or emotional value in regards to the respected storylines of some of the other characters (excluding Man Wol of course). The biggest example of this arose with Jin Goo’s character, Gu Chan-Sung.
Man Wol was supposed to be the fiery ‘Yang’ to Chan Sung’s level- headed ‘ Ying’ personality within their relationship, there was little to actually express or delve into Gu Chan- Sung apart from the evident plot roles. His father dies several years presumably after his first scene in a flashback in the show , yet Chan- Sung neither really expresses anguish nor heartbreak at this fact. Whilst there is the arguable emphasis that Chan-Sung is too rational to break down over these matters, this is greatly contradicted within the scene when Chan- Sung simply loses his composure at a bus stop over thoughts of Man- Wol. Undeniably a heartbreaking scene and a moment of brilliant acting from Goo, this scene just doesn’t entirely add with the intended composure of Chan Sung who in several episodes prior, who didn’t bat an eyelid to the return of his mother as a ghost.
This also moves us onto the other problem of Hotel Del Luna; how the storyline played out. Ironically, Hotel Del Luna’s biggest problem wasn’t trying to adhere to the typical cliches, but instead trying to overcome them at the last minute. Obviously, there is nothing wrong with a drama doing this, however, where the evident flaw lies for Hotel Del Luna is that rather than only doing this a couple of times to mark a red herring by diverting the audience’s attention ( and then deliver an actual plot-twist by moving onto the expected becoming the unexpected), the Hong Sisters tried to do this at every given opportunity during the storyline. Without spoiling anything, I will say this. The novelty of the storytelling becomes less effective when you did this too often, and so whilst Hotel Del Luna was certainly interesting within certain character plot-lines ( particularly Jang Wol’s past), some of the show for a major part felt anticlimactic and disjointed in the long run.
On a more positive note, however, Hotel Del Luna’s magic is greatly brought to life through fairly good CGI and storytelling upon this element. Whilst not entirely touching new ground in the face of predecessor shows like Goblin , Hotel Del Luna still brings its own element of dark fantasy through traditional Korean mythology being brought into modern Seoul. From disturbing evil spirits, bartender ghosts like Kim Seon Bi ( Shin Jung- Geum) to deities such as the mysterious Mago ( Seo Yi- seok) with unpredictable plans of fate for our main characters.
Additionally, whilst the finale of Hotel Del Luna has caused a lot of debate amongst drama fans, the bittersweet ending was surprisingly appropriate for the drama . Overall Hotel Del Luna was an enjoyable watch (although perhaps flawed by some elements of the storyline and certain characters’ contributions to the show )-the elements of dark fantasy, traditional mythology and IU’s stellar performance as the twisted and cynical Man- Wol will keep you captivated. Although not flawless, definitely worth a watch.
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Spectacular dresses and world-building but falls short on screenwriting
Sadly, Hotel del Luna's fanciness couldn't make up for the story's lack of coherence and sincerity.The extravagant hotel for the ghosts and the splendid clothes of its owner didn't quite impress me. Each episode has the same dreary pattern of spirits struggling and protagonists babbling at the end. After the first half of the show, I found myself neither interested nor thrilled.
The answers were already laid out so I didn't get the point of dragging out the story. The antagonists which I once thought of as formidable opponents were easily gulled and defeated. Indeed, there is a fine line between a show with a high-caliber script and one with a mere show-off wardrobe.
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Each episodes contains Goo Chan Sung trying to help the ghost go in peace while Man Weol unexpectedly ending up helping him through his persistent. The chemistry between the two grows as Chan Sung persistently work his way through Man Weol's heart. There is a lot of special guest coming in throughout many episodes, but even the surprises will make your heart go wild.
Overall, I give it a 10 star (not for exaggeration) but it had a great flow of story, great actors/actresses, and also OST!
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This drama had that bit of a fairy tale vibe about it that I really enjoyed, and I felt lacking in their previous fantasy show. There seems to have been put a lot of effort into it, looks wise at least, which made it really cool to look at. The drama looked stunning. The clothes that IU wore were frenzy, the scene was done, and the special effects were well done.
The story wasn’t terribly original, and you can very easily point out similarities to other dramas like Goblin - another hugely popular drama about a fairy-tale creature that lived for a very long time and falls in love with a human being. Or just other stories about ancient being falling for mortals. There are plenty of those to go around. But I do like this version of the story. Mainly because here that ancient being is female, which is rarely the case.
And that magical being, Jang Man Wol (and of course IU), stole the scene every time she came on the screen. And the fact that she got to be the main star there, in a role most often assigned to a male character in similar stories, was what made this drama sorts of unique to me and was one of the main reasons why I liked it so much.
Yeo Jin Goo, though perhaps a better actor than IU, did not get to shine all that much in this drama. His character was sometimes just there. He was out connection to the human world to us and the ghost characters, but he was also just there to make Manwol open up and find love again - a role most often given to the female character. It got on the nerves of some people (understandably) but I enjoyed the role reversal a whole lot.
Some of these ghosts of the week (as I call them) didn't really do much for the plot, didn't link it too much together and were often just there to act as fillers while we waited for more on Manwol's backstory and gave the characters time to do something as the story chucked along. But Manwol’s story was the focal point of the whole drama. But even if it happens quite slowly, but I didn’t really get that bored. I enjoyed a lot of this extra bits (even if it started to drag the story a lot towards the end) and some of the side characters that the drama gave us.
I was impressed by some of these ghost stories were told and some of the more fantastical storylines, though they became weaker as we went further into the story. The Hong Sisters are usually good at mixing ghosts and some of the more traditional romantic comedy plot, but they also tend to loose their hold on that as the story goes on.
The romance in this one was a bit on the slow-burning side of the spectrum. I expected a whole lot more from it at the start of the drama. There was never any great spark between IU and Yeo Jin Goo. That chemistry where you felt they were right about kissing every time they were together. I was a lot softer than that and the romance a lot quieter than I expected, but you really got the sense that they really cared about each other.
The story, or the romance, was never too tense. It was more just sweet. But I really enjoyed that. The intensity was more in Manwol’s backstory, so while some might find the modern version of the show a bit boring and lacking compared to that, I felt like it created a bit of a balance between the two stories. And that part being more somber and mellow made the backstory stand out more. However, it also made the story kind of just fade out towards the end instead of going out with a bang. It was nice, but maybe not super rememberable.
It was a mellow little noona-romance and I liked it. There was more chemistry and drama in the other storyline, but this one had that fairytale vibe. Unlike other stories, like Goblin, it was never creepy that one person was immortal and the other was not. And I think the role change helped. And I enjoyed that.
The story wasn't big enough for these sixteen episodes. It was rather simple. But what the drama may have lacked in story, it sorts of made up with style and a kickass female lead, which I was kind of okay with.
After all, this was Manwol's drama, where her character and her backstory were the strongest point of the drama. Her backstory could have been its own drama. And IU is so charming in this role. This drama would be lifeless without her and getting to see a female character in such a role is not something I see every day (both in kdrams and other shows). I shall remember this drama for a long time because of Manwol.
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Did not live up to the hype
The whole production was amazing- cinematography, ost, scoring, production design, etc. BUT the love line really did not make sense to me. It felt too pushed for fans’ sake. The writing on the second lead’s ending was too lackluster, it’s like the writer gave up on the character to save Yeo Jin Goo some face, as obviously he got overshadowed by Lee Do Hyeon as a character and as an actor (c’mon, let’s all agree on that).Plus this drama’s ghost stories as fillers were too obvious as fillers. It’s like watching a variety show with an MC introducing the fillers one by one because it’s THAT obvious. It took a lot of screentime too that you’d eventually realize that the main plot was actually very short and so-so if you take out all the ghost stories.
If you came for the hype, then by all means watch it. The cinematography was definitely astounding. Its novelty was also commendable, I truly learned a lot about Korean folklore, thanks to the characters. BUT don’t expect it to watch a Best Drama contender for Baeksang because that’s definitely not what you’ll get, unlike what the rating promises. Acting was so-so too, a bit disappointing actually since you have Yeo Jin Goo and IU as the main leads. Lee Do Hyeon stole the show.
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This review may contain spoilers
Who doesn't love a good reincarnation story or finding resolution/closure for wandering souls? However, the one word I can sum this up in is "long-winded". I watched the entire series through severe fast-forwarding and ended up with a pretty weak ending.The positives to say is they did focus in on the backstory of your main leads and your main supporting characters. I found myself looking forward to unveiling of everyone's past that was presented in bits and pieces. The chemistry between all of them worked pretty well. The only major disappointment was our lonely firefly who was misunderstood for so long and then just pretty much kicked to the side. It really downplayed the strength of their long tragic love story and made it too real, where one easily replaces another these days. Why build up the lovely surreal to smack us with this coldness of reality? It would have been fine if it didn't feel so awkwardly done.
The cases where they assist souls in resolving issues was also a bit below average. It started off fairly interesting but just slowly descended into not much. If you're an absolute romantic, then you might enjoy this piece more than I did. As much as I appreciate a good love story, this one dragged on too much with each scene unnecessarily. It didn't help with the excess flashbacks that assumed the viewer didn't pay attention at all a couple of episodes ago. Overall, it wasn't great and it wasn't terrible but doable in higher-speed viewing.
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I just now finished watching Hotel Del Luna and boy oh boy - it was pretty much the same I felt about it ep 5 onwards.
Most of Hong Sister dramas have been a hit or miss for me and this falls closer to miss than hit.
Story/Premise: I was looking forward to it since months ago when IU started teasing about this drama on her Instagram. The premise seemed fun and the first few episodes were solid. Then from ep 5 it started becoming repetitive and the episodic format lost its pull for me. I was more interested in the main characters than the useless subplots introduced every week in an episodic format. Some were good and most were just meh. There are two parts to the drama : the flashbacks and the modern story. The flashback was solid and a winner for me since the beginning to the end. In fact I was way more invested in the flashbacks than the ongoing struggles of our characters.
Acting/Cast: IU was good for me in her role. This is not the best she has done nor the worst. But she is definitely one of the highlights of the entire cast. She carried it strongly with her presence for most part and was a delight to look at. She is so PRETTY. Yeo Jin Goo did nothing for me here and I say this as his big fan of past projects. I feel like he lacked the maturity to play this particular character and it would be better for him to take on lighter and more youthful roles. Then again, most child actors fail to shine once they get older (I might be triggering some of his fans here but just being honest). I felt no chemistry between the leads although individually they weren't the worst. The hotel side characters were all good actors expect PO. He was just cringey and horrible and even a rookie like Mina was better by a step- but who cast this girl? I LOVE the actors in the flashbacks. I see a lot of potential in both who played Chung Myung and Yeon Woo (I am poor with names). I am not familiar with their past works but would love to check out more in the future.
Music: The OST is solid. I would recommend the tracks by Punch (both), Taeyeon (it is lovely), Gummy and Paul Kim. Rest of the songs are good too but these ones stood out to me. I have them on repeat and will continue to for some time.
Final Thoughts: I feel like they had a nice idea that they failed to execute well. Romance with Yeo Jin Goo was a snoozefest for me. The premise was good but it was a weak and lackluster script. Had the writing and casting been better, it would have been one of my favourite dramas. I did enjoy the random references to variety shows and the celebrity cameos. The ending was fine for me and I wouldn't have settled for anything else after the way they set it up all along. I was not happy with how they ended the 'older story' loop because I was enjoying it too much. The last episode was sad but had nice moments. I think the best part was the epilogue. This universe comes to a certain next stage and watch it yourself to check out who they cast for the "sequel". It was a surprise and I can't wait for it. ^_^
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As far as the plot is concerned, commendable world building by the writers here. The story is based on a hotel that exists in between of our and the afterworld, in which spirits, with unfinished business, go before moving on. Deities, malevolent spirits, reapers, interesting backstories ect are a given.
With such an interesting premise I gotta mention the main characters who were pretty fun. The drama generally focuses a lot on comedy, which, most of the time, hits the spot. The romance is there and plays a predominal role. I can't say it was particularly memorable, but it sufficed.
Moreover, it should be mentioned that the driving essence of the drama are the back stories of the main two protagonists, particularly IU's character, something that becomes apparent from the very first scene of the drama. The show beautifully connects ancient eras with modern times linking present and past lives in a worthy backstory that is interesting and well-written without ever becoming too serious or heavy. Every prominent character gets their development and their sub story. Everything is fun and well written.
A strong part of the drama is IU's character, her fashion, her facial expressions, her reactions, her sassyness. It could be argued that this is an one woman show written entirely on and for IU, which, in my book, is totally a pro. If you're an IU fan, you'll enjoy it.
My favorite part of the drama was the homage to horror pop culture (references to classic scary movies, ex. The ring), or mentions of other recent horror kdramas (ex. The guest), which made the whole scary context that much more fun and contributed in making this drama feeling like a part of a whole along with the fun recurrent feeling of parodying horror pop culture.
The acting was overall great, but not really memorable. The plot was too light hearted for any of the actors to showcase any actual talent. That being said, everything was executed magnificently.
Overall, this is not a bad watch if you are interested in rom coms with fantasy elements. There are several ghost substories that aren't that important and not scary at all, but pretty interesting and fun to watch, so there is also that. The OST in this one is particularly polished. I'd recommend this to everyone searching for something light and fun to pass time. That being said, there is nothing notable about this drama other than its base premise.
Have a nice day everyone and enjoy!
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This show is just like a Disney production, spectacularly set and lavishly comely to the eyes. But this one just keeps us reminding about the impermanence of such beauty. It establishes promptly that throughout its run, the theme which is gonna be addressed is ‘to learn to let go and move forward’ .
While the stories of different guests were interestingly written while being emotionally deep, it is the main story of the leading couple which suffers from blatant inconsistencies and unnecessarily dragged to diminish the effect of goodbyes.
It sets the show and settings really well in the first few episodes. The comedy works out well here and there. The romance of various couples other than the main one were not sidelined and were actually more interesting when viewed with their backstories and connections to the main plot than the main couple.
As the show progresses the different guests and their issues which sometimes get infused with the main story keeps the show going rather the romance of the two leads.
Still it manages to make us give a little attention to the main story with its flashback sequences with classic viewer deceiving tactics.
The deception works because it keeps us reminding that despite all this extravagant and pleasing looks, there is so much tragedy and sadness within the main character.
It has comically yet interestingly depicted the concepts of God, Heaven and Afterlife, It has meddled with those concepts to create serious and comedic dilemmas for the characters which was interesting to watch.
Even though the side stories were thematically same, each of them had its uniqueness a sort of fresh wholesomeness to them. It was sad yet prepared us for the impermanence of life itself with unexpected variety of stories based on all living beings.
While all the different stories of various ghosts prepare both the viewer and the main characters for the inevitable separation, some bad writing choices greatly falters in closing the show well. It subverts the effect of that inevitable separation just to prepare one of the characters to accept that split well.It also remains irritatingly vague after that particular decision in writing which actually disrupts the core theme of moving on. Thus it stretches out the main arc and also postpones some closure for characters to the frustration of the viewer.
The most alluring aspects of this show is its music, OST, grandeur in sets and visuals.The inside of the hotel, costumes of the lead and depiction of different eras were splendid.
The music and original songs were adding to the mood of the scene, comic and tragic. It really brought out the emotions which were hidden in the visual grandeur.
A dreamy series filled with visual opulence driving home great message necessary for everyone who is alive faltered along the way to decrease the effect towards the end.
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The snoozefest I didn't see coming
Hotel Del Luna (HDL) was an extremely hyped up drama when it came out in 2019 and I thought the title was appealing in the sense that it really evoked fantasy cinematic vibes. Having briefly looked at the premise however, it reminded me a bit too much of the 2013 drama, The Master's Sun (TMS). Despite being a human, the leading lady in that latter named drama also had this exceptionally rare capability of being able to see and communicate with spirits; thereby being an exact replica of Gu Chan-sung's (GCS) character here in HDL.Now it's also important to keep in mind that these kinds of themes/ideas are unique to a specific writer(s) for a drama, and so as it turned out, it was none other than the Hong Sisters who wrote the scripts for both HDL TMS. So, in that respect, perhaps one of the many reasons why I didn't enjoy HDL as much was because I found myself re-watching a drama which had almost the same plot focus as its predecessor. Having said that, HDL was just not hype-worthy sorry to say, but what I will say is that it was exceptional in many other aspects other than its storyline.
Firstly, I commend the people in the costume department for providing such an exquisite array of outfits for Jang Man-wol (JMW). I've never seen anything quite like it before to be honest, whereby the female lead had about ten different outfits, hairstyles, and accessories per episode which in many ways, was all thanks to her character's impeccable taste in fashion. Secondly, the production was quite amazing needless to say; I could not fault one episode which did not scream "attention to detail". In particular, I was in awe of the grand magnificence, size and classiness of the hotel.
However, was this enough to save the storyline?
Characters
If I can recall correctly, there were about six deities in total which starred in HDL (i.e. rich, poor, life, death, health, and love). Each served a different purpose, but it was mainly just one which really contributed to JMW's existence (save for the rest which had more involvement with GCS's character).
In terms of JMW's character, I thought there were some aspects of her which painted her to be quite headstrong, but also many others where she came across as needy and short-tempered; thereby making her seem like a damsel-in-distress and very unlikeable. But just some further examples. First, thriving off money and luxurious purchases to be able to live is not a new concept in the K-drama world - without this materialistic aspect, JMW would be nothing she says. Second, JMW's elegant fashion sense and mesmerising beauty no doubt won the heart of many viewers, but that alone could not save her character's god-awful temperament.
GCS's character was well... I'm not sure? I love Yeo Jin-goo, but his character I felt was more like a supporting cast type of role rather than a breaking male-lead kind. The characters around him were so twisted yet he treated them all nicely only to become their sacrificial lamb. Not to mention, why him? All of JMW's previous human managers could have been given the same responsibilities and duties as GCS thereby speeding up her process of heading to the afterlife by helping resolve the wishes of her hotel berieved guests. Sure, I get her past managers weren't all men, or as young, handsome and savvy like GCS, but at least they were humans who were emotionally present and could have helped her realise her mistakes sooner if Mago planted that moon flower inside any one of them.
As for Mago and the five other Mago's - why are there so many is my question? I understand the purpose of each one, but I found the whole premise of having a "deity" to be extremely convoluted and random by the end. The deity of health and wellbeing for example - I mean, what does she do with all the other medicines she makes apart from the flower-based drink JMW eventually drinks? Deity of wealth - extremely random and unnecessary given she appeared for less than 5 minutes to give JMW advice and then poof into thin air.
Storyline
Well, this one was just lacking in all aspects. I understand JMW spent 1,000 years living to right her wrongs but why did it take that long when another human could have landed the scapegoat role within that time?
Not to mention, there is no plot hole - the plot is simply finding out what murder she committed (which was hardly a surprise by the end) and then being freed from the chains of the tree which tied her down initially. When I read the plot analysis and saw the sentence "for a crime she committed but could not remember", I just thought well, what crime could be worse than murder itself? It's pretty self-explanatory isn't it? But the most predictable was her finding out the crime and then being sent to the afterlife before coming back as herself (I think it was) at the very end.
Come to think of it, the only plot holes were that of the ghosts - why did they die? How did they die? What were the circumstances surrounding their death? In many ways, they weren't all that interesting considering most didn't even talk and had to keep leading GCS on a chase/mission to help them get to the afterlife. That said, their sidestories were more powerful than JMW's.
Also as we are all aware, what is a drama without a plotting romance between the two leads? Sadly, and much to my dismay, I felt absolutely zero connection between JMW and GCS. Whilst you could see that GCS cared deeply for JMW, and JMW very subtly did the same, there was no romance to simply put it. For there to be romance, you have to feel it - the intensity, the chemistry and the pain in the eyes and portrayal of emotions.
Other comments
Unfortunately, the camera compositions and flashbacks became very tedious to look at. The tree, the entrance, the grand hotel foyer, and hallways, etc. - each setting/backdrop did very little to present new ideas and was more or less the same each time. For example, the significance of the Moon Tree was that it claimed JMW's immortality and in many ways served as a powerful symbol of growth, death, and rebirth. Yet, a lot of the time was dedicated to the protagonists standing in front of it trying to pull out any emotions you would have developed towards them and sure, you may feel some sympathy towards JMW, but not me. Similarly, the hotel served as a safe haven for lost/restless souls who were unable to move onto the afterlife but by the end, its purpose was made redundant when it disappeared after JMW's ties with the Moon Tree severed.
Finally, the flashbacks were repetitive and didn't add any excitement to the drama. While I understand each flashback served as a memory/indicator of the people JMW was surrounded by, including the events leading up to JMW's vengeance, they did very little to contribute to her character growth. In the present, she remained just as arrogant, uptight and vain as she was/did in the past and that made it all the more difficult for me to feel any sympathy for her. If anything, I thought JMW's ties to the hotel and Moon Tree served her just right, and felt way more pity for GCS who was chosen to be her sacrificial lamb.
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