Kota y Yoko se conocen desde hace 17 años. Finalmente se casan y Yoko queda embarazada. Durante su embarazo, Yoko parece enferma y consigue ir al médico. Ella se entera de que tiene cáncer terminal. Yoko es capaz de dar a luz y todos tratan de hacerla sonreír todos los días hasta su último día. Después de que Yoko muere, Kota se enfoca escribiendo su historia a través de su blog. Él se aleja de la realidad. Un día, Yoko aparece frente a Kota nuevo... Synopsis by WikiDrama Edit Translation
- Español
- Türkçe
- English
- magyar / magyar nyelv
- Título original: 夫婦フーフー日記
- También conocida como: Wedded Pair Diary , Fufu Nikki , Fufu Fufu Nikki
- Guionista: Hayashi Tamio
- Guionista y Director: Maeda Koji
- Géneros: Comedia, Romance, Drama, Sobrenatural
Dónde ver Till Death Do Us What?
Gratis (sub)
Reparto y créditos
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![Sasaki Kuranosuke in Till Death Do Us What? Japanese Movie (2015)]( "Sasaki Kuranosuke in Till Death Do Us What? Japanese Movie (2015)")
Sasaki Kuranosuke Papel principal -
![Nagasaku Hiromi in Till Death Do Us What? Japanese Movie (2015)]( "Nagasaku Hiromi in Till Death Do Us What? Japanese Movie (2015)")
Nagasaku HiromiShimizu Yuko / "Yome"Papel principal -
![Sato Hitomi in Till Death Do Us What? Japanese Movie (2015)]( "Sato Hitomi in Till Death Do Us What? Japanese Movie (2015)")
Sato HitomiEri [Yuko's bestfriend]Papel secundario -
![Takahashi Shuhei in Till Death Do Us What? Japanese Movie (2015)]( "Takahashi Shuhei in Till Death Do Us What? Japanese Movie (2015)")
Takahashi ShuheiGite [Yuko's younger brother]Papel secundario -
![Namiki Shiro in Till Death Do Us What? Japanese Movie (2015)]( "Namiki Shiro in Till Death Do Us What? Japanese Movie (2015)")
Namiki ShiroGift [Yuko's father]Papel secundario -
![Umezawa Masayo in Till Death Do Us What? Japanese Movie (2015)]( "Umezawa Masayo in Till Death Do Us What? Japanese Movie (2015)")
Umezawa MasayoGibo [Yuko's mother]Papel secundario
Fotos
Reseñas
A refreshingly light approach
The "FL with a terminal illness" trope is one that has been used (and sometimes, abused) over and over in Japanese cinematography, be it in movies or in dramas. It would therefore be quite understandable that viewers might feel a bit wary of the Nth tale featuring said trope. But if they were to shy away from this movie because of that, well, they'd make a terrible mistake, imho. This one is a fresh take on the old trope, graced by some nice writing, by a fantastic performance from both leads (Nagasaku Hiromi and Sasaki Kuranosuke), and last but not least, by a light approach on this tough topic which gives it a somehow original flavor.¿Te ha parecido útil esta reseña?
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