Son Nam ([[Lee Jung Hyun]]) tiene la habilidad de imitar con sus manos todo lo que ve. Ella trabaja todos los días para pagar las cuentas del hospital de su esposo, pero nunca es suficiente. Un día la casa de Soo Nam es designada como parte de área en desarrollo. Ella puede hacer mucho dinero vendiendo su casa, pero algunos de los residentes del lugar protestan con la medida del área en desarrollo. Soo Nam se cansa de sus vecinos y decide utilizar su destreza con ellos. Synopsis by WikiDrama Edit Translation
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- magyar / magyar nyelv
- dansk
- Título original: 성실한 나라의 앨리스
- También conocida como: Sungsilhan Naraui Aellisu
- Guionista y Director: Ahn Gook Jin
- Géneros: Thriller, Comedia, Vida, Drama
Reparto y créditos
- Lee Jung Hyun Papel principal
- Lee Hae YoungGyu JeongPapel secundario
- Seo Young HwaKyeong SookPapel secundario
- Myung Gye NamDo ChulPapel secundario
- Lee Joon HyukHyung SeokPapel secundario
- Bae Je KiDetective JoPapel secundario
Reseñas
Firstly, Alice isn't even the main character's name. Her life is more similar to Cinderella than it is to Alice. But I guess it's a play on the words, "Wonderland" and "Earnest." Our heroine, is, in no way, in a wonderland. She hopes to be. She longs to be. She fights for it through earnest determination. And still fails.
This says a lot. Japanese and Korean society relays very much on the concept of hard work and discipline that they have inherited from China's Confucianism. It's no surprise that having to choose between factory life or "elite" life through studying, she chooses the latter because supposedly, education equals to success equals to eliteness. But later learns that her numerous certificates are useless (or no longer in demand) in an advancing technological world.
Soo-nam is at its core represents both affirming this society of hard work and also ultimately rebelling against it. As she experiences that despite all her hard work, despite all her conformity in doing things to achieve her goals—they are in vain. Feeling betrayed by these ideals, she rebells against these imposed rules.
Hence, why there is anger. But it's not the all-out nor is it hidden anger. It's always been there but it's been subtly shown that it didn't feel too overwhelming. In so many ways, it's dark comedic style and almost-Amelie-like editing style helped to show how she's making fun of things instead of making it too overly dramatic—even if the subject matter is.
But ultimately, this style also drags some of the film's major flaws. In some ways, it's also showing that women in love will do anything for the man they love. Just like Memories of Matsuko, does she really need a man in her life? For all the work she's done, is it truly worth it?
In this day and age, women want to be independent and work for themselves. While there's nothing wrong with wanting to build a family, I think there's this underlying tone that seems to imply who gets to give more to the other. It's not so clear-cut and there's certainly a grey area there but I think that's the part of the film that bothers me the most.
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