Bae Yong Joon es Chan-Wue Sung, y en la primera parte del drama renuncia al amor que siente por Hyok-Yong al enterarse que ella está enamorada de su hermano mayor; aunado a que también termina sacrificándose por la felicidad famliar en vez de perseguir sus ambiciones al decidir apoyar a su hermano mayor (quien tiene talento en las bellas artes) pensando que es Vincent Van Gogh, y él es Theo, hermano de Van Gogh. Después su hermano mayor queda en estado vegetativo a causa de un accidente de tránsito cuando es perseguido por la familia de Hyok-Yong debido a su amor prohibido. Entonces Chan-Wue decide renunciar a sus aspiraciones para pasar un examen y comenzar a estudiar el negocio de los casinos, para el cual trabajó para pagar su universidad. Debido a un accidente inesperado que sufre el presidente de la compañía, Chan-Wue llega al poder del Grupo Daemyung. Entonces planea vengarse del padre y tío de Hyok-Yong. Eventualmente él regresa a estudiar leyes, dejando su plan de venganza y su puesto en la compañía cuando su hermano mayor le implora perdón para la familia de su primer amor. Synopsis by WikiDrama Edit Translation
- Español
- English
- magyar / magyar nyelv
- dansk
- Título original: 첫사랑
- También conocida como: Cheot Sarang
- Géneros: Romance, Melodrama
Reparto y créditos
- Choi Soo JongSong Chan HyukPapel principal
- Bae Yong JunSong Chan WooPapel principal
- Lee Seung Yeon Papel principal
- Park Sang Won Papel principal
- Choi Ji Woo Papel principal
- Song Chae HwanSong Chan Ok [Chan Hyeok & Chan Woo's sister]Papel secundario
Reseñas
Bad love
For the story and this prolific love of theirs to work, a lot of hard work needed to prove their undisputed love and the leads needed to have a better chemistry which the drama didn't do a good job of neither. They took the concept of "love" and ran it to the ground. It was nothing but ugly. There was a desperate need of balance between good and bad. The opposing party (the baddies) were invincible until they weren't. The pace was often off, 5 episodes can pass while the leads don't even have much screen time. The breakups/separations gaps were too damn long without any interaction between either sides. About 10-15 episodes can pass without these "lovers" talking or seeing each other, what is this writing?! You can't make excuses for the drama for being old because I've seen infinitely better dramas from the same era. On another hand, Suk Jin just looks too old to be involved with the others. I wanted Suk Hee to have a bigger contribution, she got less screen presence than any of the support cast.The story is part love story and part revenge story. It’s largely about a brewing romance that begins between two kids well into their adulthood that is constantly challenged and thwarted by Hyo-kyung’s uncle and father, who do everything without resorting to murder to keep them apart due to their class differences. He is sent to the arm, beat up, forced to run away and even disabled via a car accident. In the background, Chan-woo struggles to get through law school due to financial difficulties and family problems, flirting with a brewing romance of his own with Kang Suk-hee (Choi Ji-woo, Stairway To Heaven) that is sadly underdeveloped, although a really interesting sub plot of the show, which makes it a pain that it didn’t really lead anywhere despite small glimpses of what could be. Chan-woo goes on his own path on revenge and that is that. He eventually succeeded, all while learning forgiveness and all that good hearted crap.
The Chan-woo character is the heart of the show and carries it through its lulls, which this definitely has. The pacing of the plot was too heavy in the beginning and the end and not enough during the 35-45 stage. There were plenty where little took place or developments were repeated for brevity sake. The introduction of a side character called Ju Jung-nam (Son Hyun-joo, The Good Detective) allowed more depth for the Chan-ock, the sister and some plot outside of the main story. It was entertaining but the plot was a little all over the place. You never knew where he stood with Chan-ock. It was back and forward. If I had to continue talking about the side characters, the characters were fine but the stories often went nowhere. 66 episodes and none of them felt completed. Shame. Not crippling to the show but disappointing. Nevertheless, the overarching story was interesting enough to hook me into actually completing the show. I’ve struggled to complete 12 episode dramas before, and I tend to like those. So it must have been good. The story isn’t totally tight from episode to episode but they rarely are. Of course, the acting generally is what attracts people and Bae Yong-joon, Choi Soo-jong, Park Sung-won are great as leading men throughout this. Lee Seung-yeon is fine as the main lead. She can do a nice cry scene. I think she was a more interesting character when trying to portray a teenager. Perhaps it’s because her role was more intertwined with Choi Soo-jong. Park Sung-won really captured my attention for Sandglass and he was really good in his friendly other man role. He had a few plots where he had to show a more depressive, conflicted state and it was captured well. The star is Bae Yong-joon, easily. He’s really good in anything, even if some of his later works are a tad melodramatic for my preference. And this is just the start.
The music in the show changes between classic folksy music to more contemporary tunes. Nothing amazing. Not a patch on Sandglass which has a fantastic, iconic OST (check it out) but there are some ear wigglers here and there.
Recommended. While not amazing, it’s a good show with a strong leading man and a couple of solid side characters. And while I’ve not mentioned it much, the antagonists were solid too. And their comeuppance is sweet.