Muchu sa, Kimi ni: No hay otro (2021)

an escape into nostalgia.

It’s a mighty feat adapting any kind of work. There’s always something lost in the translation from one medium into another—the trappings of form too integral to the creation of any piece of media’s spirit. Muchuu sa, Kimi ni is, then, a rare case of an adaptation that not only captures the essence of its source material but almost elevates it.

In its original form, Muchuu sa, Kimi ni is a loosely tied together collection of vignettes: one, the tales of Hayashi, a “quirky” high schooler who revels in using his free time to its fullest, attracting companionship along the way; and the tale of Nikaido and Medaka, a “ghostly” outsider with a secret he intends to take to his grave and his classmate who wants to break him out of his shell.

In the drama, these two separate lines are expertly pieced together by director Tsukuhara Ayuko (who knows how to play with the material to shine a light on its best qualities) to craft a pseudo-fantastical narrative that celebrates the wonders of youth and camaraderie in deep vibrancy. Its charm is in its characters (plus their actors—a curated selection of some of the best up-and-comers in the industry) and the quaint little world they exist in. It may be quiet, but it's no less exciting. If you let yourself level with these kids, you'll find their joys and anxieties over the tiny things feel exactly as they should: earth shattering, life changing... but what else would you know when you still have so many years ahead of you?

If there's any gripe to be had, it's that the series ends. Not because things are left unfinished, but rather, because it’s hard to say goodbye. Muchuu sa, Kimi ni offers an escape into nostalgia: for days of youth gone by and freedoms once had, for friendships now lost and ones that could have been if we had let them. Still, it leaves you with a reminder that none of those are ever really out of reach. It's in your hands—you need only make a pitch for it.

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