Aoki Vuanpaia no Nayami (2021)

La nueva normalidad de los vampiros en la era de la pandemia

La historia y el concepto de este dorama fue demasiado pero demasiado original, jamás se me hubiera ocurrido que podría existir una historia sobre como los vampiros tendrían que lidiar con la pandemia COVID19, me pareció muy innovador y sumamente gracioso; aparte de esto, nuestros vampiros son muy modernos, podríamos decir que son vampiros milenials que no tienen miedo de ser diferentes, lo cual hace la historia muy geunuina. Durante toda la historia vemos como estos chicos vampiros desafían la norma mientras se ajustan a la vida en pandemia, la serie toca sobre todas las dificultades que ha traido la pandemia a la humanidad, y esto lo vemos reflejado en todos los personajes con los que interactuan los vampiros y los problemas que estas personas tienen; pienso que muchas personas se sentirán identificadas con las diferentes historias que presentan, independientemente de en que país vivan, mucho de este impacto ha sido el mismo para todos a nivel global, así que dentro de la comedia y lo divertido, uno realmente se siente identificado.

Mi única queja fue el episodio final, me parece que se les pasó un poco la mano con el tema de la mujer; la intención fue buena pero creo que fue demasiado intenso y no iba acorde a lo que habíamos visto en los episodios anteriores en donde todos los temas se tocaron de manera más relajada.

Sobre la actuación, me gustó mucho Kiriyama Renn, fue bastante creíble y Goto Yutaro fue bueno pero creo que pudo ser mejor, a veces le faltaba algo de emoción, pero en realidad hizo buen trabajo y creo que tiene muy buen futuro este niño. Ambos tuvieron mucha química, y sus interacciones siempre fueron muy agradables y divertidas, al finalizar la serie sentí que los iba a extrañar bastante.

La canción de opening/inicio de ZAQ ("Tsuki akari") me encantó, ya hasta me la había aprendido y la cantaba cuando empezaba la serie, creo que daba mucha emoción justo antes empezar la serie, y la animación era muy bonita también.

En resumen es una muy buena serie, con un concepto muy original, fácil de ver llena de momentos divertidos a excepción de algunos mensajes fuertes al final, pero fuera de eso es muy relajante, con personajes muy carismáticos.

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The trouble of blue vampires (and humanity)

Aoki Vampire no Nayami introduces us to the aftermath of the COVID 19 pandemic in Tokyo.
The story follows two immature vampires struggling to survive with limited blood supplies whilst living amongst humans in a changing society.

The first episode's opening arc immediately caught my attention. Despite how serious the topic may sound, the 8 episode series blends humour and drama to balance the story. The main and supporting characters all individually have their own personalities and stories.

STORY:

The first thing viewers are introduced to is the drama cover and summary; however, delving into the episodes, we start to learn that the story arc mainly sheds its spotlight on the “people” rather than the “vampires”. I believe this choice of story-telling was made intentionally to create a voice for the voiceless. In other words, each episode introduces a character with their own struggles caused by their surroundings, especially by the pandemic. I found some of the earlier episodes resolved the character arcs too quickly, so it needed a bit of work in terms of pacing.

Some topics include family issues, abuse and work harassment. Many of these issues are common in Japan’s society, with or without the pandemic; therefore, this drama series is relevant to informing viewers of a hopeful outcome to overcoming their struggles. The topics could also inspire overseas viewers as these issues are not limited to Japanese viewers, especially with the COVID-19 pandemic being a global issue.

The troubles of Aoi and Sou’s arc are sprinkled throughout the episodes. If this series had at least 40 minutes per episode, their story could have been fleshed out properly, giving the main leads and guest characters an equal amount of screen time.

In terms of Aoi and Sou, they had an interesting and fun dynamic. Both characters reminded me a little of Drake and Josh; one is mature while the other is goofy and chill. Our main leads may be vampires, but they represent young adults who are forced to adapt and grow (into full-fledged vampires) in a changing environment, hence the pandemic.

Kishiko and Osono were nice addition to the story. Both characters were hilarious and had their brief moments of backstory. I wish we got to see more in-depth exploration. Maybe a clear flashback on these characters.

The regular customers of the cafe all had their charms and moments. It was nice to see each of them contribute in some episodes to connect with the guest characters. Specifically, Mr Oyabu and Nishino were tension breakers to keep the show from seeming too dark. Mia was an interesting character with her own complex and side story. I found her to be grey, and that was intriguing.

ACTING:

Kiriyama Renn - He played his character very well, in my opinion. From the serious to humorous moments, it was not left unforgotten. I had captured many of his scenes for meme-worthy edits. It was pretty interesting seeing his acting grow from my first time seeing him in Switch Girl (2011).

Yuutaro - His acting was so-so. I didn’t find it too bad or phenomenal. I’ve seen his acting background and watched him in 3D kanojo: Real Girl, Cherry magic and Zettai BL. I would be interested to see Yuutaro-san in a darker genre where he breaks away from the cute shounen (young man) role. It seems he gets type-casted into those roles; therefore, it limits viewers from seeing his full potential in acting. I wish him all the best.

MUSIC:

ZAQ - Moonlight - The opening song was very upbeat and catchy, preparing viewers to become hyped for the episode. I’ve roughly translated parts of the songs by hearing the lyrics. To summarise, the opening represents the two blue vampires struggling to get up from their coffins every day “hearing sounds of heartbeats.” I recognised ZAQ as she has covered the opening for the anime, Flip flappers, “Serendipity”. So, I knew I’d get attached to the opening.

Ran - Sekai (The world) - The ending song had a soothing melody in contrast to the opening song. I haven’t analysed the ending song (yet), but from listening carefully to the lyrics. “I wish in this world, we could find a way to understand each other” From my interpretation, this seems to be a very Aoi thing to say. It reflects the inner thoughts of the vampires, more so, Aoi’s perspective.

Overall, if you’re looking for a short drama to be inspired based on the pandemic situation, this show may be for you. It’s not too serious to make you depressed, but it does try to balance both humour and drama. The episodes are roughly 23 mins long, minus the opening and ending songs. Each episode covers different characters with their own obstacles. The main leads can be relatable for both young and older audiences. It’s a show aimed towards the human elements rather than exploring too much into the vampire and supernatural genre.

NOTE: If this gets a season two (which may be unlikely based on the ending conclusion), I hope the show-runners consider giving it international access and not just KKTV (very limited regions). I truly believe this show has the potential to touch international viewers, be explored more and include more build-up on the vampire world.

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