Love According to Law (2022)

A Light Hearted Rom-Com — but so much more!

It feels like a 2013 drama that was remodeled for a 2022 audience.

To sum it up in simple terms, The Law Cafe is a very unorthodox law drama with a sheer sense of community and heart at its core. Even though it seems like a rom com do not be fooled as it also has slice of life aspects, political intrigue and mystery.

I adored all the characters and the effort they put into their roles. Kim Yoo Ri and Jeong Ho’s story felt special but I enjoyed the incorporation of the clients stories at the law cafe even more so. In the earlier episodes, specifically the ones that covered child abuse and school bullying, really touched my heart. I appreciate all those young actors / and actresses because the emotions they evoked to truly bring the story to life was powerful. Lee Se Young nailed the part and brought across a true authenticity that you almost felt like you were in her shoes / witnessing real accounts.

I feel like it started off strong in the earlier episode but then fell off midway and towards the end. For me, the true essence of the law cafe lost its meaning after Yoo Ri and Jeong Ho entered a relationship. That’s not to say I didn’t enjoy their moments and thought they were cute — it’s just that it felt super rushed. I understand that they had memories from 17 years ago and since college that was understood / implied offscreen but Jeong Ho being in love with her for so long and then feeling like she did not reciprocate his feelings was just a bit too much. Him then basically still going along with his proposal plans even though he knew her reasons for not wanting to get married, just put a little bit of a strain on the relationship dynamic for me. They eventually worked it out but I feel like the drama would’ve been more powerful without them being so close so that Pyun Woong had an angle to strike at. That is to say Yoo Ri was Jeong Ho’s weakness and vice versa. It was very predictable at that point as the villain knew that wounding / hurting one would result in action / serious measures taken from the other.

Jeong Ho’s character felt insufferable at times because he sucks at communicating. Had he told Yoo Ri the truth instead of dedicating his life to research and writing novellas all of this could have been avoided. Him continually trying to push Yoo Ri away and making her cry was also annoying especially when you hear him admit to the camera that he’s been in love with her for 17 years. In essence it seems like he dedicated his entire life to serving her and like she was his main focus. Kinda stalker-ish fr considering he knew her plans to set up a law cafe and bought that exact building… it’s almost like he laid the groundwork for her to come back to him (I guess everyone in that family shares some kind of psychotic tendencies) That isn’t to say I didn’t enjoy Lee Seung Gi’s portrayal of Jeong Ho it’s just that his character arc could’ve had more substance. Through and through he was a silly character and it made you empathize or understand his reasoning a bit.

I really enjoyed the supporting cast. Eun Kang nailed the whole mysterious brooding just-released-from-prison / ex convict vibe which I just ate up. Honestly I’d like to see him as the lead in a drama. The ajumma’s were hilarious but kind of annoying sometimes. Honeybee / Bae Joon had that naive impressionable young person thing going on. I liked at the end how he was likened to Yoo Ri and shared a similar sense of spirit that she had when she first started working for Hwang & Gu Law Firm.

I loved the doctor (Woo Jin) I felt like he too liked a Yoo Ri from the get go… even before Jeong Ho expressed his feelings towards her and I felt sad that he had to restrain himself out of respect for Jeong Ho. I’m not a fan of triangles but I wish Woo Jin had gotten a fair chance or at least his own love interest. His story with his patient was so sad and I really felt sorry for him. A+ for Kim Nam Hee’s portrayal. His emotions translated well across the screen.

I want to also applaud Jo Han Chul’s acting as Lee Pyun Woong. I have enjoyed every drama I’ve seen him in but finally seeing him undertake the role as a psychotic villain was something else entirely. He made me hate him so much I just knew he was doing an awesome job. He did the role justice and was super convincing.

The final episode could have been wayyyy better but I think the fact that the ended with Jeong Ho and Yoo Ri’s wedding says enough. The fact that Yoo Ri got married in a bright red wedding dress just shows how “unorthodox” they wanted this show to be. The typhoon no less was a metaphor for their tumultuous relationship. Imo funny but also highly unnecessary. I literally found the supporting casts love stories more interesting — Do Jin Ki and Seo Yeon as well as Eun Kang and Song Hwa (not portrayed but implied) Those two couples left me wanting their dynamics to be explored.

Overall the drama is a solid 7 out of 10 for me. It wasn’t meant to be deep or intense so if you go into it just know you’re just there for a good time. There are important takeaways from each episode for sure (at least in the earlier episodes) and that’s what I appreciated about the drama. I didn’t think such a light hearted show would evoke so many different emotions but it was truly refreshing and left me entertained for the most part.

Watch this drama if you’re looking for something with a perfect mix of everything. Comedy, romance, drama, politics and a little bit of mystery / thriller.

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You can look forward to a spicy mixture of fun and seriousness

For all the law-and-order series that the KDrama Orbit has so far produced in 2022, Law Café romps on the more witty, hilarious rom+com side. A web comic served as a template.

Nonetheless. For all its playful wit, it is also a production that has its serious moments as well. In the background wafts an ugly (as usual) Jaebeol mess at the expense of the honest simple people. In the foreground, the protagonist fights for the rights of ordinary people with a lot of passion, intelligence, courage and the active support of old and new friends as well as her (after all) love interest. The legal cases dealt with are close to everyday sorts of topics and provide an up-to-date overview of perennial issues such as bullying, child abuse, sloppiness in construction, etc.

The idea of ​​setting up a Law Cafe away from the usual law firm business is unique. There visitors can get professional legal advice in addition to barista coffee in a comfy atmosphere. All of the characters are originals, and their quirks and idiosyncrasies are cheerfully staged here and there. You can literally feel the underlying comic.

The focus is on the 'four-dimensional' personality of Kim Yu-ri. (4D in Korean standards means a particularly eccentric, freaky, quite special character. 4D is generally considered a compliment, especially in the teen and KPop milieu.) She meets the ingenious, former public prosecutor Kim Jeong-ho, her school friend from back then and also son of a rich family. He lately indulges in idleness, enjoys his life in tracksuits - as a writer and real estate owner. There's some harmlessly sweet, romantic flirtation of the Korean decent kind, but also concentrated intelligence and creativity in solving some intricate cases. The evil, powerful business bosses and their crazy doings find an appropriate expression in the phrenetically perfidious, exalted, almost insane boss of the Dohan construction company.

Bottom line: You can look forward to a spicy mixture of fun and seriousness. To a love story. To a cast in good mood. To lively entertainment. However, I have to admit that 2 (sometimes 4) episodes a week was quite enough for me. I could easily wait for the new episodes. Thus, I wouldn't call the KDrama gripping. It is rather shrewed and witty in places. Rather harmless. However, it is not completely banal.

Overall, special care was taken to ensure that everyone in the audience understood the seriousness of the legal cases being dealt with. The deliberately sincere, almost missionary approach to e. g. the topic of sexism and "Yes means Yes" is remarkable. The KDrama obviously wants to be more than just good entertainment. And I think that the production succeeds in this mission quite well: A rom+com K-Drama, derived from a comic, that gently but firmly grabs society by the collar, in a good mood and optimistically presenting creative ways, how despite all the existing corruption business surrounding the machinations of the powerful, justice could actually be possible. It wouldn't be due to the law, because that would at least actually be available...

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