La historia continúa , con Eri y Makoto ahora se aloja en una mansión cercana y los desplazamientos hasta el restaurante todos los días. Con Yoko ocupada con sus estudios y Sho con su trabajo como ilustrador , Aya tiene que contratar nuevo personal, y le pregunta a su hermana Kuni para ayudar en el reclutamiento, Aya le da el empleo a Nakano Kyoko, una chica con un problema de actitud , y ella se muda a la vieja habitación de Eri. Un día , Yoko recibe la noticia de que ha sido aceptado en una universidad de Kyoto. En medio de todos felices animando , una anciana llamada Tatsu aprovecha la oportunidad para tratar de salir de la cafetería sin pagar. Ella fue detenida en el tiempo, pero que dice ser sin hogar y sin dinero , ella pide para pagar su factura mediante el trabajo en el café. Sintiendo que hay más en su historia, Daigo le ofrece quedarse en su casa , y así comienza su viaje como un empleado de " Aya " . Tatsu es una mujer franca y ella no duda en decirle a Kyoko fuera de su atuendo descuidado y mala actitud. Aunque Kyoko no la soportaba ella al principio , pronto se tiene un cambio de corazón , ya que comienza a darse cuenta de que Tatsu sólo está haciendo todo esto por su propio bien. Sho trae su penúltimo año de la universidad, Okumura Ryo , para trabajar en el café , ya que como él, Ryo también había dejado la universidad a medio camino. Desde que sus padres al parecer le han abandonado, y sin trabajo, ni dinero, él también comienza a trabajar en el café. Ryo es un típico joven de hoy en día ; ropa llamativa , pelo rubio teñido con reflejos de color rosa y una actitud de cuidado no podía, menos. Aya y todo el personal se ian a llevar una sorpresa. Synopsis by WikiDrama Edit Translation
- Español
- English
- magyar / magyar nyelv
- dansk
- Título original: なるようになるさ。
- También conocida como: Whatever Will Be, Will Be ,
- Director: Anami Akihiro, Yoshida Akio, Sakai Masahiro
- Guionista: Hashida Sugako
- Géneros: Drama, Familia
Reparto y créditos
- Asano Atsuko Papel principal
- Tachi Hiroshi Papel principal
- Kawamura YuyaJin SawakiPapel principal
- Konno MahiruNakatsu EriPapel secundario
- Koide SaoriYuri NagashimaPapel secundario
- Ozawa RyotaKen NagashimaPapel secundario
Reseñas
The story was an amazing story, not like i have seen before. Yes it did slightly remind me of Antique Bakery(Anime) and Antique but it was so much of its own story.
I loved the cast and characters they played! I grew attached to each end everyone and was sad at the end but also happy.
The music was really well suited for this drama and they had seemed to had picked the perfect movie for all the right parts.
I recommend this Drama to everyone as it really is a great story and i do hope they will make a second season.
In my personal opinion i would say this Drama is a Comedy/Slice of life drama.
Please give it a try!
This drama is about family, acceptance (both oneself and others), expanding ones borders, (somewhat) unconditional love and personal growth.
Acting was phoned in in some places but it was not bad. Characters were as you expect for a drama that tackles these issues; some were interesting, some where cheesy and most were extra one dimensional.
Scenes were delivered to give you maximum cheese as expected.
Of the top of my head I can recommend;
ai no uta
family, acceptance, personal growth, love
boku no aruku michi
family, acceptance, personal growth, love
lunch no joou
family, acceptance, personal growth
oishii gohan
family, acceptance, personal growth, unconditional love
saigo kara nibanme no koi
family, acceptance, personal growth, love
These are all jdramas as this is one but I am sure I can think of more both japanese and other countries dramas that are better than this.
Don't get me wrong this was mainly ok. Until last episode where screenwriter Hashida Sugako decided to shove her ideas about DV (domestic violence) down our (my) throats. Maybe she doesn't actually believe this but made it like this to make it a fast happy ending. BUT it doesn't make it ok.
[spoiler]In this drama Konno Mahiru plays a wife, a victim of DV, running away from the husband and taking refuge in the cafe restaurant Aya-san runs. In the last episode the husband comes, ridden(sp?) with guilt; and apologizes. He claims he was under tremendous pressure having lost his job and being unable to provide for his family, and when he came home he couldn't handle his wife's stern/unapproving looks and just snapped.
According to the drama he snapped repeatedly; to the point the wife feared the next time he snapped he would kill her and fearing for her life she ran.
How the drama (screenwriter) handles this is: to have the fatherly figure that helps everyone and gives everyone definite advice come and ask her to take the husband back. He thinks he is reformed and also asks her to take responsibility for this incident as she is half at fault too; after all, she did frown and gave her husband stern looks.
This kind of pressure from outside (family, friends, society) is what makes DV so hard to stop especially in countries like mine (with more closed societies) where family is sacred and should not be talked about to strangers.[/spoiler]