Yamada Yuki interpreta a Shinichi quien recibe en su casa a Yuko y a su hijo Akira. Yuko era la ex-esposa de un amigo de Shinichi de quién se está divorciando. Shinichi comienza a recordar cosas de su pasado y a involucrarse en la vida de Yuko y su hijo. (Fuente: AkkolaOtako en MyDramaList) Edit Translation
- Español
- Português (Brasil)
- English
- magyar / magyar nyelv
- Título original: 夜、鳥たちが啼く
- También conocida como: Yoru, Tori Tachi ga Naku
- Guionista: Takada Ryo
- Director: Jojo Hideo
- Géneros: Romance, Drama
Reparto y créditos
- Yamada YukiShinichiPapel principal
- Matsumoto MarikaYukoPapel principal
- Mori YuritoAkiraPapel secundario
- Nakamura YurikaFumikoPapel secundario
- Kato ShinsukeKunihiroPapel secundario
- Fujita Tomoko Papel secundario
Reseñas
I'd probably go crazy if I heard those birds scream everynight.
I think this film was packed with too much symbolism which I could not pick up on (e.g. the birds). It was honestly an ok film, I just can't find anything to really appreciate about it.I think the ML's writing could've been explored a lot more. I keep thinking about him talking about his novel and him just describing what happened in his relationship. Like, completely conspicuous. And for the ML, I would've liked to see her past relationship a bit more as well. And also a bit more of their relationship beforehand when they were just mere acquaintances. We only got one scene from when they were just acquaintances/friends. It would have been interesting to look at, what I would describe as the ML's obsessiveness, a bit more.
It felt quite depressing and gloomy at times despite nothing in the present day was bad. In fact, they shared quite a lot of good moments together. I did find it to be almost hopeful at times.
I will say that I totally skipped over the sex scene, and the make out one the next morning which the FL resists at least twice before she just gives in.
I would definitely watch it again to see if I could actually pick up on anything new. Especially because of how good the acting was.
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