Es una película bélica japonesa del año 2005, con la historia principal basada en el año 2005, en el 60 aniversario del hundimiento del acorazado Yamato. A través de una serie de flashbacks se nos cuenta la historia de su tripulación, pero en lugar de centrarse en la alta oficialidad, los protagonistas son simples marineros o suboficiales, resultando tan importantes en la historia su actividad a bordo como sus respectivas familias. La película cosechó un gran éxito en Japón. Synopsis by WikiDrama Edit Translation
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- Título original: 男たちの大和
- También conocida como: Otoko-tachi no Yamato, The Men's Yamato
- Guionista y Director: Sato Junya
- Géneros: Acción, Histórico, Drama, Guerra
Reparto y créditos
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![Matsuyama Kenichi in Yamato Japanese Movie (2005)]( "Matsuyama Kenichi in Yamato Japanese Movie (2005)")
Matsuyama Kenichi Papel principal -
![Nakadai Tatsuya in Yamato Japanese Movie (2005)]( "Nakadai Tatsuya in Yamato Japanese Movie (2005)")
Nakadai Tatsuya Papel principal -
![Sorimachi Takashi in Yamato Japanese Movie (2005)]( "Sorimachi Takashi in Yamato Japanese Movie (2005)")
Sorimachi TakashiMoriwaki ShohachiPapel principal -
![Takahata Atsuko in Yamato Japanese Movie (2005)]( "Takahata Atsuko in Yamato Japanese Movie (2005)")
Takahata AtsukoTsune TamakiPapel secundario -
![Aoi Yu in Yamato Japanese Movie (2005)]( "Aoi Yu in Yamato Japanese Movie (2005)")
Aoi YuTaeko NozakiPapel secundario -
![Watari Tetsuya in Yamato Japanese Movie (2005)]( "Watari Tetsuya in Yamato Japanese Movie (2005)")
Watari TetsuyaSeiichi ItoPapel secundario
Reseñas
Tonally messy but otherwise great
While the main body of its story is at tonal odds with its framing device, Junya Satō's Yamato is an impressively made, often brutal exploration into the lives of those aboard Japan's most iconic warship during her final days at sea. Yamato oddly decides to use the Titanic and Saving Private Ryan storytelling formula, which is where this tonal contradiction stems from, it's at heart an anti-war film but the framing device dangerously treads the line of propaganda mode (the song at the end almost tipped it over the edge). However, Yamato manages to sail on unopposed, opening up discussion and criticism of such reckless leadership that led to such an abhorrent waste of life, a suicidal last defence. Satō's clean direction helps to highlight the outstanding production design, most of the budget having been spent on painstakingly recreating part of the titular ship on a 1:1 scale, the two complement each other exceptionally well. Joe Hisaishi's music isn't as memorable as some of his other efforts, it often feels like he's emulating a Hans Zimmer score, but it's an effective soundtrack nonetheless. Backed by great performances and a stunningly realised final battle, Yamato strategically uses the ruptures of trauma in an attempt to erase any inconsistencies, all the while reassuring its shocked audiences with a familiar, if conventional, film style.¿Te ha parecido útil esta reseña?
