If you are reading this review to figure out whether you should watch this period drama, I say I highly recommend it. It had all the hygiene factors of an excellent drama - interesting story, excellent acting, handsome lead actors, pretty actresses, lovely costumes, beautiful cinematography and melodious theme songs - elements that many contemporary Chinese dramas exhibit. The story around the lead character was mysterious. Things were always not what it seemed to be. Just as the story unveiled a perpetrator behind the assassination of Fan Xian, another revelation was uncovered. This is only season 1, and the story ended at less than the mid-point of the story.

However, if you are watching this because of Xiao Zhan, then you might be disappointed. He only appeared towards the last few episodes and he was a far cry from his outstanding performance in the Untamed. The role in this story did not suit him at all. The character was like a block of wood and did not give him the chance to perform his best. It is likely he would appear in future seasons and I hope he does better.

Chinese dramas can be very creative but in general tend to demonstrate a lot of weaknesses in the stories. In this drama, the link of the past to the present was rather weak. Even if this link was removed, the drama could have proceeded well, so creating this link seemed redundant.

The actress playing the part of Fan Xiao's mother was a rather poor fit. When the episode showed her coming out of the mysterious temple, I was expecting the dramatic appearance of someone exceptionally beautiful and intelligent, but was rather disappointed to find a seemingly silly teenage girl with crooked teeth. She might have done well in a role of a bubbly teenage girl but did not fit the important role of Fan Xian's mum who was to have an immense impact on the politics and a highly successful business woman. Since it was a very short appearance, it seemed like she was just conveniently roped in - perhaps the more established actresses do not want the role.

I think details in the stories are something that Chinese dramas need to work on to perfect their dramas. Even successful epics often demonstrate illogical bits, highly stretched parts that do not gel together well or scenes conveniently thrown together to make the story progress as desired. Someone needs to fine-combed through the scripts to sieve out these bits without dampening the story, or better still, enhance it.