Both of these GL short films double as ads and involve one of the female leads staying over at the other's home.

Both of these GL short films are friends-to-lovers stories with one straight-forward female lead, and one shy female lead. They're both fluffy and straight to the point.

Both of these spicy GLs feature one lead with a supportive family, and the other lead with a disapproving family.

Both romances center around a boss and employee learning about each other, realizing their misconceptions about each other, and falling in love. One of the main leads also faces a lot of family pressure and past trauma that makes them repress their own wants and needs, but is able to overcome it thanks to the support from the love interest and friends. Furthermore, they both feature strained sibling relationships and manipulative antagonists.

Both of these LGB dramas present love stories that both reflect on and try to break the trend of past tragedy stemming from family pressure and homophobia.

Both Thai LGB stories feature a significant focus on marriage, what it means to be married, and marriage equality. Both stories start off with an arranged engagement (though GAP involved an arranged engagement with an outside party, rather than between the leads). Both couples have trouble communicating their wishes to each other. Sam and Kuea are both wealthy heirs, with Mon and Lian working their way up the chain in order to be able to stand by their love interests' sides.

Both of these LGB stories feature a main romance where one party idolizes their eventual love interest, and has a hard time accepting the love interest's feelings for them and believing themselves worthy of it.

Also, these two dramas are directed by the same company and feature many of the same casts. The main couple of actresses in GAP also act as a couple in SCOY.

Both titles feature prominent messages about marriage equality in a lesbian relationship - and how the lack of such rights has disastrous effects in instances of emergencies and loss.

Both of these titles are Thailand firsts in the GL world: Yes or No being credited as the first feature-length Thai GL film, and GAP being the first full-length Thai GL drama.

Story wise, both GLs center around a first relationship between two female leads. The story conflicts also center around a disapproving family matriarch figure and both FL's being pursued by other romantic competitors (and the jealousy that that inspires).

Personality-wise, there are also several resemblances: with one FL being friendly and honest, and the other starting off quite harsh and frequently not saying what she means.

Both of these gory Thai horrors are centered around an innocent teenage girl succumbing to a Krasue curse. Both have a romance plotline (though it is only mild in SisterS) and possess several of the same plot points.

Both series feature a healthy and adorable relationship between a scientist ML and a creative-oriented FL. Both series also feature a stint of a long distance relationship. Both couples also have run-ins with a few two-faced jealous characters, but these characters ultimately don't stay long nor do they have their intended way with the mains' feelings for each other.

Both series feature a similarly sweet and bubbly FL who is steadfast with who she loves, even as other root-for-able male leads show an interest in her. They both also feature a prominent subplot around finding your voice and celebrity life. They also both have similar scenes between the female lead and the non-romantic leads.