Both of these titles, starring Erek Lin, explore a character struggling with how their gender identity may impact their long-standing friendships. Both titles also utilize origami star wishes to inform viewers about feelings that aren't explicitly stated.

While very different in premise and representation, both of these romance films focus on characters who aren't frequently discussed in media. Both of whom come to explore the world through their camera lens.

Both of these films are highly interpretative, with prominent themes of death and notable cinematography. However, How To Die Young in Manila is interpretative in a metaphoric social commentary sense, while Vision is interpretative in a mysticism way.

Both dramas are female-centered and focus closely on topics surrounding sex and intimacy. However, one is more PG in approach, while the other one is more adult.

Both of these dramas are from the same director and with the same style of storytelling. A total of 4 couples (and a mostly off-screen 5th), "comedic relief" support characters, and a trauma storyline (but the nature of the trauma is different).

Both of these microfilm specials can be watched independently of their parent stories. They both present an nostalgic and emotional tale in their short timeframe that makes you feel deeply touched by their love for each other.

Both of these dramas revolve around a couple getting into an accident. Afterwards, one of them is sent into the past and tries to stay away from their loved one in order to prevent the accident from happening.

While PaThirsty is a full-length film telling one interconnected story, and About Being Gay is a collection of separated skits, they both share a similar style of comedy. They also bother prominently feature femme gay men and lesbians. And they are both rather crass as they have a focus on that queer "thirst" for intimacy.

Both of these dramas pose similar premises of an investigative team taking on cases to find missing items and people.

While both of these stories are situated in different genres and scopes, they both feature a queer relationship that starts to crumble apart after workaholic neglect and bottled feelings.

Both of these GL short films explore a relationship where the leads grow distant from each other. Finally, after an extended period of time of silence and bottled feelings, tensions come to a head.

Both of these dramas consist of an older FL who helped the ML through tough times as a child. Years later, the ML goes in search for her and tries to repay the favor.