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The Red Sleeve korean drama review
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The Red Sleeve
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by kdramakitty
ene 17, 2022
17 of 17 episodios vistos
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Global 8.0
Historia 8.0
Actuación/Reparto 8.5
Música 8.0
Volver a ver 8.0
Like many others I am reeling from the emotional turmoil of the last episodes. This is definitely one of the best kdramas of 2021 and a really high quality sageuk.
I actually have a few mixed thoughts and feelings about how good it was, so I thought it’d be helpful to list out the good and bad things about this show.
The good:
-the romance is top tier, seriously. AND it’s a great historical romance, because these two people act like they would (or probably, anyway) back in the 1700s. The crown prince knows Deok Im is beneath him, and there is this constant power imbalance. He even says and does some not-great things to her. Deok Im has some pretty good reasons to not be with him, and that power imbalance is central to that. It’s just such an interesting dynamic to watch. (To be honest, I think this show should be labeled as a tragedy; do you really think this is going to end well?)
-there is this emphasis on the powerlessness of the maids, and other power dynamics are explored in interesting ways. The crown prince’s relationship with his grandfather is tragic and terrible, but you can’t tear your eyes away. They have some amazing scenes together.
-acting is super good, particularly by our two main leads. Both of them are incredibly good at conveying emotions and thoughts with their eyes, and it adds so much to their scenes together. The rest of the cast is solid too. Speaking of which…
-the “second male lead” (idk he doesn’t fit into the traditional role so it feels weird to call him that) is a bad person and doesn’t like our main female lead. He sees her as a rival for the crown prince’s attention and affection. He’s also interesting because you aren’t quite sure what his agenda is.
-the writing. I am also going to complain about the writing later, but I want to give strong kudos to the writing in general. There are many amazing scenes, the dialogue is well-written, and things that get set up early on do come back around again later. You get the cliche “they met as kids” thing and it still makes me roll my eyes a bit, but it is less cliche than usual. It also doesn’t act as a catalyst for the romance so I think that made it less cringey.
The not-so-great stuff:
-this show kind of recycled one particular plot: Deok Im gets in trouble, the crown prince gets involved, the queen gets involved, Deok Im gets saved. By the second time it happened I was like, really? You’ve thought of nothing else? It happens three times. Honestly I thought the second male lead would do something to Deok Im and that would’ve been more interesting, but that kind of didn’t go anywhere. Their relationship didn’t develop much which I thought was a shame.
-the palace maid secret society subplot. Hoo boy. Okay, it’s not the worst thing in the world, but it is just so over the top. Maybe it was to make the palace maids more relevant to the central plot but… it’s not great. They could’ve been influencing politics by, I don’t know, being spies for different nobles or something.
-a bunch of people don’t want the crown prince to become king but there is literally no on-screen alternative, so the whole thing felt a little weird. Like, who do these people want to be king? Seemingly nobody, they just don’t want it to be the crown prince.
-the time skip that happens 2/3rds of the way through is three years, which is a big chunk of time, but not much seems to have changed in the king (former crown prince) and Deok Im’s relationship. Like, did they even see each other that much during that time? I don’t know, it felt weird that not much seemed to have changed between them. They almost seemed more distant which wasn’t great for the romance plot. It also made it unclear what Deok Im was thinking and feeling. It was awkward and threw me off.
-the last few episodes are a little draggy. This is due partially to Deok Im (and some filler scenes). We just don’t get much insight into her thoughts. I think this makes her indecision feel unnecessary and dragged out. It would’ve helped if she had talked to somebody or even had an inner monologue about what she was thinking and feeling. The actress is great, but there’s only so much you can convey when there aren’t any words to back them up. When she does talk about her reasons for not wanting to be a concubine it’s vague, like “freedom” or w/e, but she’s not free as a palace maid either. There is definitely a difference, but this is because it literally happens so we do get to understand it, but it was unclear before what made her less free.
I understand why people are giving this a 9 or 10 because the good parts are really good, but to me I can’t say that 90-100% of this show is good. 80% seems more accurate.
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