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Vincenzo korean drama review
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Vincenzo
A 462 usuarios les ha parecido útil esta reseña
by Kayosai
may 2, 2021
20 of 20 episodios vistos
Visto 27
Global 6.0
Historia 5.0
Actuación/Reparto 8.5
Música 8.0
Volver a ver 2.0
This review may contain spoilers

Not for everyone

Okay, so this is a super unpopular opinion it seems — but I did not enjoy Vincenzo. Yes, Song Joong-Ki is pretty. Yes, the cinematography was beautiful. I even came to like Hong Cha Young's extra behaviour at some point. But the plot??? The side characters???

My biggest gripe was with the story. So many parts simply made no sense at all. I understand that the over-the-top ridiculousness was part of the "fun" to some people. Personally, I hated how the show could go from sublime coolness (like the vineyard, ending of ep 4, or even the demise of our Wusang trio... talk about WOW) to bonkers slapstick moments. I can see how this contrast may add levity to a drama that might otherwise be too heavy, but it felt like a lot of bloated filler. It honestly ruined a lot of the immersion for me. The episodes could be so much tighter without so much time spent on the Geumga Plaza crew (who never became endearing to me, unfortunately). How plausible is it that they're all from such crazy athletic backgrounds too, and can take down professional goons so seamlessly? I could've also done completely without all the NIS stuff, zumba, etc. I didn't even like Inzaghi all that much, although I did like the symbolism related to him + Jang Han Seok at the end. At a higher level, I will give points to the broad direction of the story though. I am glad Vincenzo's character did not fundamentally change throughout the story though, and that the ending remained dark but neatly tied up. Vincenzo is an anti-hero through-and-through, and it's good that the writers stuck to their guns there. The "corn salad" joke was fairly endearing. Also, you have to give them some props for the horseback riding fan-service and the callback to it at the end. Hah!

Still, I will commend this show for its social commentary on corrupt structures in Korea and beyond. It does show the interplay between government / corporate / legal realms well. The OST was fitting and gorgeous, and varied enough to not give me PTSD like "We All Lie" from SKY Castle. And you can tell it was a high-budget production with great CGI and cinematography. Oh, and did I mention Song Joong-Ki is pretty yet? Worth reiterating in case you're willing to watch just for that.
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