1
10
1
chiha
A descent into madness.
No spoilers, proceed safely.
“You don’t understand. The sad part isn’t dying alone. It's when you've died alone and nobody notices.”
Zekkyou follows the story of Suzuki Yoko, a victim of parental negligence, not in terms of physical needs but a rather emotional form of negligence, which manifests in her as a dark cloud. As her mother sings praises of her brother and egregiously ridicules her for not being as capable as her brother, Yoko becomes lonelier and lonelier, like a goldfish in a tank.
Her half-eaten corpse is discovered in a lonely apartment and is investigated by Okunuki Ayano, who is also a lonely female detective, finds a similarity between her story and Yoko’s, and buries herself into finding Yoko's true story.
“The truth is, I've been waiting to be found.”
The story has two aspects to it. As a detective mystery, Zekkyou is quite bland. There are no intriguing investigative procedures involving forensic investigators and ballistic technicians. The core aspect of Zekkyou is not its investigative method but the development of its protagonist Suzuki Yoko.
A major part of this show seems to have been done for the shock value and seems totally unnecessary and unrealistic but somehow despite all that, Zekkyou was a very engaging watch; particularly the development of Yoko, a "Kimin", a person who has been abandoned. Yoko is quite a despicable yet dynamic character.
Suzuki Yoko is one of the most despicable characters that I have met. She is cruel and her decisions are stupid at best and unpardonable at worst. And yet, she is a “kimin,” a person abandoned by society.
“The morning is dyed violet. The sky of my new self.”
The emotional build up is intense, akin to a scream of rage and despair that has been been bottled up since childhood, spiralling into madness and culminating in an inevitable breakdown where Yoko lets out her emotions, her zekkyou, her scream.
The best part about this show was the brilliant acting from Ono Machiko. This was one of those moments when I said to myself, “this actress was born to play this role.” The side characters were quite okay but Ono Machiko just stole the screen, she could have carried this show on her own shoulders. :)
Also contributing to Zekkyou’s brilliance is its well-paced execution and cinematic prowess. I just love how they used the goldfish metaphor for her. Sharing my favorite shot from the show, I love how they showed her as a goldfish in episode 3. In previous shots they cut from her to a lone goldfish in a tank but here, when she is at the lowest and most powerless point of her life, they cut to a reflection of herself in the water.
See this MDL post by me: https://mydramalist.com/profile/Nada_SouSou/feeds/QQzOPI8
8.0/10. Another great Wowow thriller with potential to grow with some more episodes. Whatever the story lacked, was made up for by powerful acting, a well-paced script and the brilliant execution. Suzuki Yoko is a character who will stay with me for a while.
“You don’t understand. The sad part isn’t dying alone. It's when you've died alone and nobody notices.”
Zekkyou follows the story of Suzuki Yoko, a victim of parental negligence, not in terms of physical needs but a rather emotional form of negligence, which manifests in her as a dark cloud. As her mother sings praises of her brother and egregiously ridicules her for not being as capable as her brother, Yoko becomes lonelier and lonelier, like a goldfish in a tank.
Her half-eaten corpse is discovered in a lonely apartment and is investigated by Okunuki Ayano, who is also a lonely female detective, finds a similarity between her story and Yoko’s, and buries herself into finding Yoko's true story.
“The truth is, I've been waiting to be found.”
The story has two aspects to it. As a detective mystery, Zekkyou is quite bland. There are no intriguing investigative procedures involving forensic investigators and ballistic technicians. The core aspect of Zekkyou is not its investigative method but the development of its protagonist Suzuki Yoko.
A major part of this show seems to have been done for the shock value and seems totally unnecessary and unrealistic but somehow despite all that, Zekkyou was a very engaging watch; particularly the development of Yoko, a "Kimin", a person who has been abandoned. Yoko is quite a despicable yet dynamic character.
Suzuki Yoko is one of the most despicable characters that I have met. She is cruel and her decisions are stupid at best and unpardonable at worst. And yet, she is a “kimin,” a person abandoned by society.
“The morning is dyed violet. The sky of my new self.”
The emotional build up is intense, akin to a scream of rage and despair that has been been bottled up since childhood, spiralling into madness and culminating in an inevitable breakdown where Yoko lets out her emotions, her zekkyou, her scream.
The best part about this show was the brilliant acting from Ono Machiko. This was one of those moments when I said to myself, “this actress was born to play this role.” The side characters were quite okay but Ono Machiko just stole the screen, she could have carried this show on her own shoulders. :)
Also contributing to Zekkyou’s brilliance is its well-paced execution and cinematic prowess. I just love how they used the goldfish metaphor for her. Sharing my favorite shot from the show, I love how they showed her as a goldfish in episode 3. In previous shots they cut from her to a lone goldfish in a tank but here, when she is at the lowest and most powerless point of her life, they cut to a reflection of herself in the water.
See this MDL post by me: https://mydramalist.com/profile/Nada_SouSou/feeds/QQzOPI8
8.0/10. Another great Wowow thriller with potential to grow with some more episodes. Whatever the story lacked, was made up for by powerful acting, a well-paced script and the brilliant execution. Suzuki Yoko is a character who will stay with me for a while.
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