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Blizzardahm

drama hiatus but I'll hop on MDL here and there!

Blizzardahm

drama hiatus but I'll hop on MDL here and there!
Till the End of the Moon chinese drama review
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Till the End of the Moon
A 16 usuarios les ha parecido útil esta reseña
by Blizzardahm
may 12, 2023
40 of 40 episodios vistos
Visto
Global 8.5
Historia 8.0
Actuación/Reparto 9.5
Música 9.0
Volver a ver 7.0

A Star-Crossed Romance Spanning Centuries that Shows Us How to Truly Love the World

If you, like many others, including myself, have been looking for recent Xianxia dramas that try to sway away from the usual Cold-Immortal-ML-and-Bubbly-Clueless-Female premise, you might want to give Till the End of the Moon a try. But, there are also some catches. Let me explain.

Till the End of the Moon is a 40-episode long Xianxia romance drama adapted from the novel Hei Yue Guang Na Wen BE Ju Ben" (黑月光拿稳BE剧本), or Black Moonlight Holds the BE Script by Teng Luo Wei Zhi (藤萝为枝). Judging from the genre and novel title alone, you should already expect an angsty storyline, unlike other Xianxias, with blood-spitting and heartbreaking moments. The plot is divided into three or four arcs, depending on how you see it: The drama starts in the Immortal/Cultivation Realm but this lasts very briefly before the female lead is transported to the Mortal Realm. Later, we have the dream arc, where the leads take on the roles of different characters and live a part of their lives. Finally, both characters are back in the cultivation realm. Personally, the Mortal Arc was the most enjoyable and gripping arc for me, with many reasons that I may elaborate on later in the review. The drama was originally divided into two separate dramas but due to government restrictions on the number of episodes per drama, the episode count was capped at 40. Therefore, the episode lengths are a bit longer, averaging at around 50-55 minutes per episode. However, it seems as if there are still some scenes that did not make it into the final drama, which was a bit disappointing and made the second half of the drama feel a bit rushed.

Female lead Li Susu is tasked with the difficult and dangerous task of killing the heartless Demon God Tantai Jin. To do this, she is sent 500 years back into the past, entering the body of Ye Xiwu, the spoiled, legitimate daughter of the noble Ye family. The mortal arc of the drama was hands down my absolute favorite part of the drama. The plot was gripping and addicting, and the acting was simply the cherry on top. Tantai Jin’s masked hatred for the world begins to show as Li Susu (aka Ye Xiwu) tries to formulate a plan on how to kill this future demon god who will kill all of her loved ones and destroy the world. The pacing of the first arc was near perfect without filler scenes and any of the cliches that you would see in many other Xianxias. It’s absolutely heartbreaking to understand that Li Susu will have to kill Tantai Jin at the end, who is seemingly harmless and loveable for most of the Mortal Arc. Their romance is star-crossed lovers to the extreme, with both falling for each other but Li Susu living with the understanding that she has to kill the one she loves, or else the entire world would be destroyed.

Tantai Jin and Ye Xiwu’s relationship is slowly built up with both sweet and bitter aspects. It is clear that both of them truly care for one another but they aren’t able to completely convey their feelings. As Jin Emperor, Tantai Jin, while still harboring resentment toward those who maltreated him, is a very benevolent leader to the innocent citizens. It is simply heartwarming to see this slight change in character that is facilitated by the love and care that Ye Xiwu seems to give. However, we come to a point in the mortal arc where the relationship between the two turns to a rather toxic point, with quite a few misunderstandings. The largest fault in the drama is the lack of effective communication between the leads that could have resolved so many problems and saved so many innocent lives. But this does not overshadow the fact that the mortal arc, as well as the other arcs, had beautifully crafted scenes that not many other dramas can top.

For some, the next arc, which is set inside a dream, was a snooze fest. Essentially, the leads enter a dream where they take on the roles of a powerful immortal god and lively clam princess. I was quite invested in this arc up until the drama introduces an absolutely evil second female lead who completely destroys Ming Ye (ML) and Sang Jiu (FL)’s deserved happy ending. However, the dream arc plays a critical role in the next arc as Tantai Jin and Li Susu embody their true roles as future demon god and cultivator/immortal, respectively.

The plot transition into 500 years later is where questions start to surface and the pacing becomes a lot more rushed. Many questions were left unanswered regarding the futures of some of my favorite characters and were left unaddressed even at the very end of the drama. I enjoyed the brief, loving moments between Tantai Jin and Li Susu but the drama continues to take on the heavy star-crossed-lovers theme and stays persistent with not allowing “too” many loving scenes between the two. However, Li Susu undoubtedly changed Tantai Jin for the better, transforming him into a human with true feelings and wanting to make the world a better place. The drama gave us open endings for many side characters, which is, to say the least quite disappointing. What happened to them? Where did they go? Are they still alive? I would say that the last arc focused way too much screen time on some side characters, whereas the plot would have been a lot more intriguing and productive if more focus was put on the leads. Tantai Jin definitely deserved all the love and care.

Having watched several of Luo Yunxi and Bai Lu’s past dramas, they absolutely did not disappoint in TTEOTM in terms of acting. Both actors were able to near flawlessly show all gripping emotions, regardless of arc or scene. Demon God Tantai Jin was absolutely badass and evil while mortal Tan Taijin in the Ye Manor was a pitiful young man who thought he had lost everything. The way Luo Yunxi’s veins popped almost convinced me that he was actually experiencing excruciating pain, and the contrasting looks of endearing and being betrayed were evidently and effectively conveyed through his facial emotions. On the other hand, Bai Lu’s Li Susu was a caring daughter, loving ‘wife’ to Tantai Jin, and a responsible figure with the difficult task of ‘saving the world’. She delightfully surprised me with her acting in her scenes seeking revenge, filled with absolute hatred and persistence. As with their previous drama Love is Sweet, Luo Yunxi and Bai Lu worked amazingly with one another and their chemistry was once again extremely natural and appealing to the audience.

I absolutely adored side characters Pian Ran and Ye Qingyu. At first, they seemed like an unlikely couple but this pairing slowly grew on me. Pian Ran and Ye Xiwu had, hands down, the best sismance ever. Sun Zhenni as Pian Ran brought out an inexplicably unique but refreshing aura and her romance with Ye Qingyu, acted by Geng Yeting, was subtle yet heartwarming. On the other hand, Chen Duling absolutely ate up her role as seemingly innocent Ye Bingchang, then as the evil Tian Huan, and the demon Mo Nv. She totally embodied the absolute evilness of her characters to the point where I can’t stand to see her in the drama anymore. Bravo to her. Deng Wei also acts out his multiple personalities and characters very well.

Other minor characters were also essential to producing a well-rounded drama. While TTEOTM lacked in some areas of the plot and editing, Wang Yifei’s evil Si Ying as well as Zhang Zhixi’s Chu Huang and Tantai Jin’s immortal master, to name a few, were essential characters that the actors embodied quite well.

Production-wise, aside from the editing due to government regulations, the cinematography was impressive, and the costumes were gorgeous. The drama experimented a lot with different character styles and used brilliantly-colored costumes on many characters, which is something that we don’t see very often in the Xianxia genre. The hairstyles were intricately done and all slightly differed depending on the setting and character. The magical effects were also quite natural and pleasing to the eye, and the lighting of some scenes in particular really added to the quality of the drama.

As with many other dramas, Till the End of the Moon started off on a very strong note and slightly dwindled down as it approached the ending. However, this does not dismiss the very strong scenes scattered throughout the drama, the high production quality, amazing acting, and beautiful costumes that, combined, created a very nice drama experience overall. Although many questions were left unanswered and some parts of the drama seemed rushed of unnecessary, do consider giving TTEOTM a shot if you’re looking for another evil ML sort of Xianxia with awesome acting, impressive CGI, and beautiful costumes. The extensive and gorgeous OST is also a plus!
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